Was Bob Dylan a Decoy?
April 1, 2017
Did Satanists reward Bob Dylan the 2016 Nobel Prize in "Literature" for his role as a decoy? Just like Barack Obama got the Nobel Peace Prize?
When Bob Dylan said he "sold his soul to the devil"
what did he mean? Miles Mathis suggests Dylan
betrayed his artistic integrity & audience
in return for fame and fortune.
The Illuminati can make anyone famous. It's called hype.
No one had more influence on the music scene in the
When Bob Dylan said he "sold his soul to the devil"
what did he mean? Miles Mathis suggests Dylan
betrayed his artistic integrity & audience
in return for fame and fortune.
The Illuminati can make anyone famous. It's called hype.
No one had more influence on the music scene in the
1960's and 1970's than Dylan. He was God. But although he was an
gifted musician and songwriter, he really didn't have much of a message. His lyrics expressed
the inchoate feelings of his generation which helps explain why it never achieved any political change.
On the other hand, we forget that he adopted Christ in 1979-1981. His albums "Slow Train Coming," "Saved" and "Shot of Love"
were devoted to Christ. Although they contained many excellent songs, these albums were not commercially successful
and his career nosedived as result.
I don't agree that Dylan was a plagiarist. He wrote hundreds of songs. Many musicians testified to his talent. He has given thousands of performances and continues to tour at age 75. My generation grew up with his music and it continues to inspire. I think we expect too
much of artists. They are lost souls like most people today.
By John Hamer
Bob Dylan: Change Agent (1-4-2015)
First Comment by Glen:
Dan writes:
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(henrymakow.com)
In a recent article, Miles Mathis presents a compelling argument that Bob Dylan is a phoney.
He believes Dylan did not write his own songs and while Dylan's stage performances were not devoid of talent, he is not whom we believe him to be.
In a recent article, Miles Mathis presents a compelling argument that Bob Dylan is a phoney.
He believes Dylan did not write his own songs and while Dylan's stage performances were not devoid of talent, he is not whom we believe him to be.
Dylan, whose real name is Robert Zimmermann, was born into a wealthy Jewish family in Duluth, Minnesota who owned a chain of movie theatres in the small town of Hibbing, MN. They were already in the 'deception' business.
According to Mathis, Hibbing has produced a number of dubious characters that include Vincent Bugliosi, Bruce Carlson and Gus Hall to name three. Gus Hall is the former leader of the US Communist Party and probably an Intelligence Services asset. Bruce Carlson is Director of the National Reconnaissance Office (an intelligence agency) and a leader of the Mormon Church, believed part of the Elite. Vincent Bugliosi was the attorney who 'prosecuted' Charles Manson, allegedly another one of the long list of 'Laurel Canyon' assets.
In 1961, Dylan, 20, was "made" by a favorable New York Times review of his short set before 10 people at 'Gerde's Folk City.' He had been performing for only six months, and had no original material.
The review was written by another Jew, Robert Shelton, (Robert Shapiro.) Charlie Rothschild was the booking agent for 'Gerde's' at the time.
MK-ULTRA: "The Times they are a Changin'"
Intelligence was running many black ops and using the music industry as cover in the 1960s. Some of them have since been partially declassified, such as Operation Mockingbird, MK-ULTRA and others.
Mathis believes that there was an even larger operation called, 'Operation Rolling Stone' designed to promote extreme change in all forms.
Because humans are naturally resistant to change, Mathis contends, change had to be manufactured and constantly sold. Mathis points to the constant use of the 'Rolling Stone' title such as Dylan's famous song, the band 'The Rolling Stones,' and also the magazine 'Rolling Stone.'
Mathis believes that the 'Rolling Stone' meme was a creation of Intelligence agencies as part of their social engineering. In the " Protocols of the Elders of Zion," the author says three times, Our Countersign is "Force and Make-believe."(Protocol 1)
"Make-believe" is the Illuminati's "Magick." Magick is simply deceit or lying which is easy when you own the mass media and educators. The evil magician Aleister Crowley defined Magick as "the science and act of causing change to occur in conformity with will... any willed change in ourselves or in our environment is Magick."
The CIA had taken over all media by 1961. This may explain why Columbia was so keen to sign the 20-year-old Dylan based on virtually nothing. So arguably, Dylan's entire career was pre-planned.
Columbia had not heard him playing any of his original songs, because he had none at this time. He had only two original compositions on his first album, and that was not released until 1962.
According to Mathis, Hibbing has produced a number of dubious characters that include Vincent Bugliosi, Bruce Carlson and Gus Hall to name three. Gus Hall is the former leader of the US Communist Party and probably an Intelligence Services asset. Bruce Carlson is Director of the National Reconnaissance Office (an intelligence agency) and a leader of the Mormon Church, believed part of the Elite. Vincent Bugliosi was the attorney who 'prosecuted' Charles Manson, allegedly another one of the long list of 'Laurel Canyon' assets.
In 1961, Dylan, 20, was "made" by a favorable New York Times review of his short set before 10 people at 'Gerde's Folk City.' He had been performing for only six months, and had no original material.
The review was written by another Jew, Robert Shelton, (Robert Shapiro.) Charlie Rothschild was the booking agent for 'Gerde's' at the time.
MK-ULTRA: "The Times they are a Changin'"
Intelligence was running many black ops and using the music industry as cover in the 1960s. Some of them have since been partially declassified, such as Operation Mockingbird, MK-ULTRA and others.
Mathis believes that there was an even larger operation called, 'Operation Rolling Stone' designed to promote extreme change in all forms. Because humans are naturally resistant to change, Mathis contends, change had to be manufactured and constantly sold. Mathis points to the constant use of the 'Rolling Stone' title such as Dylan's famous song, the band 'The Rolling Stones,' and also the magazine 'Rolling Stone.'
Mathis believes that the 'Rolling Stone' meme was a creation of Intelligence agencies as part of their social engineering. In the " Protocols of the Elders of Zion," the author says three times, Our Countersign is "Force and Make-believe."(Protocol 1)
"Make-believe" is the Illuminati's "Magick." Magick is simply deceit or lying which is easy when you own the mass media and educators. The evil magician Aleister Crowley defined Magick as "the science and act of causing change to occur in conformity with will... any willed change in ourselves or in our environment is Magick."
The CIA had taken over all media by 1961. This may explain why Columbia was so keen to sign the 20-year-old Dylan based on virtually nothing. So arguably, Dylan's entire career was pre-planned.
Columbia had not heard him playing any of his original songs, because he had none at this time. He had only two original compositions on his first album, and that was not released until 1962.
PLAGIARISM?
In 1963, Newsweek accused Dylan of plagiarism, suggesting that 'Blowin' in the Wind' had been 'acquired' from a high school student. As Mathis points out, if Dylan had written the song, Columbia would have sued Newsweek as soon as the story appeared. If Dylan had not written what is his most famous song, what does this say about him as a songwriter?
In 1965 Dylan was booed off the stage at the Newport Folk Festival allegedly for going 'electric guitar.' Mathis believes that 'real' folk fans knew that he was a fake, but by 1969, the infiltration and co-option of anti-war movement was complete so Dylan was no longer needed. He was therefore abandoned.
Mathis also posits that after Watergate, Dylan was brought back to Columbia in 1974 as part of the grand misdirection so that the American public would not notice that the CIA had just finalized a takeover of the government.
Mathis thinks fellow Jewish agent Leonard Cohen was Dylan's ghost writer. Cohen's record label was also Columbia. Furthermore it would also explain what Joni Mitchell said in 2010, referring to Dylan: "He's a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I."
Joni Mitchell dated Cohen for a while, so she should know. She even had an opportunity to change her view, but refused.
And as Mathis points out, why did Dylan or his record label not sue Mitchell for defamation? A claim of plagiarism is the most serious accusation that could be directed at a performer.
As a 'former' fan of Dylan, Mathis concludes, "...this is no easier for me than for you... It hurts. Talent and real art have been rare enough without losing what little we had to these government disinfo programs... Even more recently, Dylan has been doing Chrysler commercials... It is like watching Gandhi as the spokesman for Monsanto, or Martin Luther King schlepping pharmaceuticals for Pfizer."
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UK-based author John Hamer has written numerous short articles and several books including the best-seller, 'The Falsification of History' and 'RMS Olympic' and 'Titanic's Last Secret'. His latest book is Behind the Curtain: A Chilling Expose of the Banking Industry Vol. 1 It covers not just the money powers, but all the different ways it has permeated into and corrupted the whole of society.
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Note: Bob Dylan's eldest son, Jesse (left) is a member of the Council on Foreign Relations. (Thanks Deanna)
Related -- Interview with Alex Constantine on CIA-MKUltra and Bob Dylan In 1963, Newsweek accused Dylan of plagiarism, suggesting that 'Blowin' in the Wind' had been 'acquired' from a high school student. As Mathis points out, if Dylan had written the song, Columbia would have sued Newsweek as soon as the story appeared. If Dylan had not written what is his most famous song, what does this say about him as a songwriter?
In 1965 Dylan was booed off the stage at the Newport Folk Festival allegedly for going 'electric guitar.' Mathis believes that 'real' folk fans knew that he was a fake, but by 1969, the infiltration and co-option of anti-war movement was complete so Dylan was no longer needed. He was therefore abandoned.
Mathis also posits that after Watergate, Dylan was brought back to Columbia in 1974 as part of the grand misdirection so that the American public would not notice that the CIA had just finalized a takeover of the government.
Mathis thinks fellow Jewish agent Leonard Cohen was Dylan's ghost writer. Cohen's record label was also Columbia. Furthermore it would also explain what Joni Mitchell said in 2010, referring to Dylan: "He's a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I."
Joni Mitchell dated Cohen for a while, so she should know. She even had an opportunity to change her view, but refused. And as Mathis points out, why did Dylan or his record label not sue Mitchell for defamation? A claim of plagiarism is the most serious accusation that could be directed at a performer.
As a 'former' fan of Dylan, Mathis concludes, "...this is no easier for me than for you... It hurts. Talent and real art have been rare enough without losing what little we had to these government disinfo programs... Even more recently, Dylan has been doing Chrysler commercials... It is like watching Gandhi as the spokesman for Monsanto, or Martin Luther King schlepping pharmaceuticals for Pfizer."
-------
UK-based author John Hamer has written numerous short articles and several books including the best-seller, 'The Falsification of History' and 'RMS Olympic' and 'Titanic's Last Secret'. His latest book is Behind the Curtain: A Chilling Expose of the Banking Industry Vol. 1 It covers not just the money powers, but all the different ways it has permeated into and corrupted the whole of society.
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Note: Bob Dylan's eldest son, Jesse (left) is a member of the Council on Foreign Relations. (Thanks Deanna) First Comment by Glen:
Miles Mathis is one of those people who is not even an author by trade, but is somehow able to put two and two together to come up with four. The source for all his information is to be found on public information web sites, and he documents all of his work. His talent, along with people like the late, great Dave McGowan is ability to see the small details that most of us miss, even professional investigators and authors, and then weave those details into a complete tapestry. Some of Miles's other "investigations" include the "Tate Murders", the "Spirit of St. Louis", and a related investigation into the Lindberg's(Sr. and Jr.) themselves. Whether you chose to believe him or not, you will never look at the subjects he choses to dissect in quite the same way. Here is a link to his work if anyone is interested.
Dan writes:
Dylan was exactly what he purported to be: a subversive. If his naive white bread followers never figured out he was subverting their heritage - not his, more's the pity.
Dylan created a persona which is simulacrum of stereotypes of the white Western Americana that he saw in the movies growing up. His baby boomer fans to this day haven't realized that his act has been mockery all the while.
But that's not because didn't give them plenty of blatant clues.
Left, Dylan 'Never Ending' tour logo 2006:
Crowned eye of Horus.
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Brendon O'Connell said (April 2, 2017):
Troye Sivan. Jewish kid from Perth. Gay. Watched his "sudden appearence" in the Perth papers. U know...kid makes good...
http://www.news.com.au/entertainment/music/youtube-sensation-troye-sivan-on-his-debut-album-being-gay-and-being-a-gay-role-model/news-story/9a1b34a13fa114f884d7eda12c0b69e6
Watch "The Merchants Of Cool".
https://m.youtube.com/watch?v=HVbexlXN6Rw
Orthodox Jew Douglas Rushkoff critiques (well) the teen focussed manufacturing of "cool". You'll see Bob Dylan in there.
What Rushkoff fails to address are the deeper psychological aspects...he is exposing a psychological warfare operation. It's not about the money. They already have it all. It's about turning society on its head and redirecting legitimate grass roots rebellion into harmless posturing.
Instead of asking why Bill Gates is worth 300 billion and pays no tax and I can't buy school books...or how Rabbi Ovadia Yosef can stand up and call all non Jew's his slaves while dining with Netanyahu and Tony Blair....ill put clown make up on my face and chant..."Who's goin titty fucking? We're going titty fucking."
The ultimate rebellion is to enter the political arena. I doubt Madison Avenue will be pushing that as cool any time soon.
The answer, as always, is blowing in the wind Henry....